The Church's Dead Man's Hand EP works itself around its own mini-drama, in the same way of a 'concept' album aka Tommy or The Wall. Each song a new portrait reveals more of this mystical or mythological uncovering...
Tuesday, April 27, 2010
DAKOTA
There's, if you notice, an interior hidden little second gem of an album tucked away within the, now what, 5 EPs? from (what I considered at first listen a jam tele-ported from a height and heart of one of many psychedelic studio sessions [circa 1967] Can, Traffic, Moody Blues, etc.) Untitled #23.
The Church's Dead Man's Hand EP works itself around its own mini-drama, in the same way of a 'concept' album aka Tommy or The Wall. Each song a new portrait reveals more of this mystical or mythological uncovering...
...DAKOTA, personally my favorite on the ep, paints a rich deep landscape dominated by PK & MWP's ghostly howling crescendos' breaking off into widening fileds through which wander kilbey's non-linear poetic/prose/lyrics... call them what you like... all roads lead here....
The Church's Dead Man's Hand EP works itself around its own mini-drama, in the same way of a 'concept' album aka Tommy or The Wall. Each song a new portrait reveals more of this mystical or mythological uncovering...
Subscribe to:
Post Comments (Atom)
2 comments:
I can´t wait to get my hands on that EP some day. Maybe I just have to wait nice and easy until the tour is finished. The cover is just looovely.
where's the audio preview???
Post a Comment